More and more productions are using Premiere Pro to support various cloud-based workflows. Need to turn your project over to color, VFX, or audio? This section offers workflows and settings to prepare your timeline for this process. Learn about clip replacement, color settings and other tips. See AE work in your Premiere Pro timeline. Dynamic Link with After EffectsĬut down on rendering and speed up collaboration with Dynamic Link. This section has a large amount of screenshots so you can gain a quick and thorough understanding of this process. Pick a workflow that fits your situation perfectly.
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Learn how to create multicams, choose your sync method, use the track mixer and so much more. In Multi-Cam View, you see your different camera angles and can easily switch between them. Multicam lets you insert synced clips into your sequence as one clip. Finally, there are tips on exporting, migrating, updating or renaming your production. Then, the guide does a deeper dive into using and referencing clips in a production. Review the production panel interface and settings, and also learn how to create or open a production.
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While you may think this is only useful for full feature film projects, there are surprising benefits to smaller productions. This lengthy section involves productions, which are collections of Premiere Pro project files geared toward an editorial team. This could be the most detailed yet focused section on proxies found anywhere. Learn about ways to create, enable, use and export proxies. If you work with proxies (copies of source footage transcoded into smaller, easier to use files), this section is loaded with workflow tips for beginners and advanced users alike. This includes information on LUTs and color workflow, ALE format and metadata. There are great tips here for any editor or director.
The guide’s next section discusses workflows aimed at those who process the day’s shoot.
This is great info for a beginner, and something to just glance over if you are a power user. The section also provides an overview of important preferences to set to your liking. This discusses how to get the best performance of Premiere Pro on your machine. Then, the guide gets into hardware and settings. Let’s take a look at what it offers: Getting startedĪt the beginning of the guide, Adobe offers a section entitled “Before Getting Started.” The section is filled with important recommendations and terminology. It’s well thought out and well laid out - segmented as to not be overwhelming, but still with a number of callouts and screenshots. While this guide is filled with best practices and workflows aimed at film and TV editors, I think it will be useful for anyone that uses the software because it covers numerous essential topics. Last week, Adobe released a comprehensive 138-page guide to Premiere Pro.
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